Episodic television and film content delivered over IP would not be possible without Digital Rights Management (DRM). Implemented correctly, it is invisible to viewers and provides a seamless user...
Streaming technologies tend to differ in formats, but also within a format have variations with different characteristics. Security with HLS is one of those cases – the default model is fairly public and...
I am very excited to showcase a brand new Adobe Primetime feature, native HLS support in Flash Player. What does native HLS support mean? HLS playback in Adobe Flash Player...
Viewer experience is crucial for everyone providing a video offering, but DRM is often considered to be a user experience burden. Adobe’s Eric Ha describes in his new white...
I worked for many years with the online video community, with an increasing focus on specific problems high-end users might have. But sometimes it’s also important to go back...
In my previous DRM blog post, I explained the different levels of DRM content protection, and how to determine what the best fit is for your content. But once...
This blog goes often into very technical depth, but it’s sometime important to talk about some of the basics like the fundamentals of DRM. If you are working in...
A great success story using Adobe Access DRM, Flash Player, Adobe AIR, OSMF and HDS. Looking for a flexible, efficient, and reliable solution, the company evaluated multiple options, and chose...
I’ve been recently hearing a lot of questions about this topic, and therefore decided to publish this post. But first, it’s important to understand and define the components involved. ...
If you are interested in content protection for video on the web and devices, Adobe TV features some interesting clips on Adobe Access 4. The first, from Adobe’s Joseph...